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The concert's on, come have a listen! Disco 2000 Vinyl Store is my (I think) ninth modular and the closure of the A Summer in Tuscany - Klee Corner - Disco 2000 trilogy. I was dying to do a new corner building, mainly for three reasons: First, Lego's doing one this year, so I figured... why not? Second, because I hadn't done a pure 32x32 corner building since Sweets & Co., almost a year and a half ago! And third, because I wanted to. Without further ado.... It may not be apparent at first glance, but this modular has easily been the most time-costing and hardest modular to build. The ground floor was built up fairly quickly between May and June 2018, but creating something worthy on top is what took me all summer to figure out. So the model began on steady wheels. The brightly-coloured "boxes" on the ground floor take direct inspiration from both my own Klee Corner (the pizzeria had a similar idea) and the London Undergound. In fact, the dark red ground floor used to be an entrance to an undergound station that was closed down some years ago that has now been transformed into a state-of-the-art vinyl store. The dark red ground floor is almost a copy of those entrances that can be found in the Tube's Northern Line, covered in those beautiful blood-coloured tiles. Even in my Lego interpretation, I was able to add the beautiful sand blue lights. Outside there's a sign, "Disco 2000", it says. The old-fashined font and style of the sign is totally on purpose. Wait, there's people singing and dancing on the street... A paparazzi on the roof of the dark green glass box... Is he famous or something? Both the white windows of the tube entrance and the dark green windows are lying on their sides. In the case of the green ones, it's not quite so obvious, so it's pretty cool. There's some albums outside, which (if you can guess which they are you're a real god), but I'll talk about architecture first. The Architecture: Architecturally speaking, this model is very interesting. Just like in Klee Corner, this has three different buildings onto a single baseplate. The advantage being, of course, that I have two full façades to split them up. The final building is almost colour-coded. Every part of the build has a colour associated to it. The central and most important part of the building, kind of the "eye" of the building, is constructed using a similar method to the one I used for the façade of the lounge on Klee Corner, only this time using a 2-stud-wide pillar going up rather than a 1-stud-wide one. There were so many different iterations for the central part, even one being sort of a peacock-coloured flimsy spaghetti (maybe at building 8 out of the 15 built). I got that bug of wanting this building to do so many things at the same time that I had to chop down things that I'd done which no longer fitted the image I chased. The final result is way simpler than some previous ones and has a lovely Belle Epoque feel to it. This final iteration is inspired by the gorgeous entrances of the Paris Metro (metro entrance over underground entrance, that's kind of hilarious ). I retook one iteration of Klee Corner for the shape of the roof, so it has a perfect triangular balance with the two side pieces. The Iron Horse+Klee Corner+Paris Metro, I think the result's pretty cool! I had already done the first render when I realised the façade needed some more dynamism. Initially, the windows were totally aligned. I then changed that static feel by breaking the lines and making them follow the curvature of the escaling roof. I love the double curve that the escalating windows and the curvature of the building itself have. creator saying stupid stuff. The brown building on the right scared me a little bit, as I'd never been able to pull off a good dark building, brown, for instance. Dark Orange, when rendered in Pov-Ray, though has this chocolate colour which is just delightful. In fact, this side building was not part of the plan first, as a whole building covered the whole "London undergound" ground floor. Then, for quite a while I had a cool texture for a brick wall that was just six studs wide which helped me figure out the measurements for the central building. That idea stuck, but in the end, due to the central building being shrinked, this brown building grew. I gave it some windows inspired by those of a school that I walk past every day and the greatest of rooflines. You really have to look at this: there's pieces looking in four different directions. The right way up, upside down and to both sides! The white/blue/yellow building on the left has a bit less of a tumultuous story to it. It began as a version of the Met Breuer, as the central building was to be something along the lines of a Gehry work. Once I'd settled for a much more colourful design on the other two buildings (after a looooong while), that grey thing looked as terrible as a stain on a red dress. Therefore, I reused on of the ideas for the central building for this side one, adapted some earlier window designs, changed the colours, added the sign, and voilà! There it is! The Interiors: Cross the gates to the awesomeness of the world of music. Because this was done in LDD, I couldn't build those racks full of vinyls, so instead I covered an entire wall of the best-selling vinyls. Note: All the covers are Lego interpretations of real albums! In fact, there's the entire discographies of two bands! Have a guess! The pattern on the floor, funnily enough comes from a "Where's Wally?" book which had a similar one. There's turntables and hanging vinyls on the window shop. On the opposite side, there's a nice Dalí-inspired coach with... again the same special guest!? Now, that can't be a coincidence, can it? The floor above has a magnificent concert stage for artists to play. I really like the atmosphere I captured in this area. I can easily imagine a songwriter playing his/her songs on that stage, as the city lights shine bright behind the sand green building. There's a small bar for guests to take a drink as the concert's on. The room's, though, not big enough for all the audience, so some of those left outside have to climb outside the window and listen from there. Be careful! The interior is built in a Brick Bank kind of way, all the different buildings share one same interior. Finally, the top floor is... A music shop! Couldn't be anything else, could it? 1 Assembly Square can start to tremble as there's a new neighbour next doors with much better instruments and at a better price. The widest range of guitars in all the imaginable colours and shapes, keyboards, amps, synths, drums and pianos. They say the owner of the Magic Shop built this drum kit and his grandchildren have put it on sale. They also say that both pianos, those of Magic Shop and Klee Corner were bought here and that's why they don't have one on stock right now. This drum kit, they say, is so loud that it was able to distort time and make the owner of Magic Shop live over 170 years. Maybe it was his potions what kept him alive. Again, who's that guy? He's everywhere! One Last Image: Disco 2000 Vinyl Store, surrounded by its two new friends, A Summer in Tuscany and Klee Corner. I think that Disco 2000 may even look better surrounded by other models than alone, unlike the other two, which definitely look better alone. Hope you like this modular! Pau