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Found 6 results

  1. We were leaderless, defeat and death were upon us. That is when I saw him; the young dwarf prince facing down the Pale Orc. He stood alone against this terrible foe, his armour rent, wielding nothing but an oaken branch as a shield... I always liked the tale of how Thorin became known as the Oakenshield, and in the first The Hobbit movie this is detailed rather beautiful, so I sat down to make a small vignette to represent the scene. In it, Azog pounds on him, Thorin defending himself with an oaken branch as a shield before picking up a sword and severing the hand of the large pale orc. To that end, I tried to pay attention to the small detail of not using Azog as he comes in the sets, but to make sure he has his left hand still. I tried to have the branch look as in the movie for Thorin, looking more like a piece of bark then an actual branch there, and to represent `armoured but not king yet` Thorin, I went for his Battle of the Five Armies body with the hair from the The Hobbit wave 1 series instead of the crowned one, giving him a more armoured look. Hope you like it :-) it was a nice break from a lot of sorting and `plate preparing` I seem to have been doing recently...
  2. A bit fitting for Halloween, this newest build is trying to recreate the earie setting from early in the Fellowship of the Ring book, where our Hobbits haven`t met Aragorn yet and learn some harsh lessons of the world beyond the Shire. My latest `pure` MOC for the Tolkien verse, Fog on the Barrow-Downs is a not known to not book readers part of the Lord of the Rings trilogy. You see, in the movies they get weapons from Aragorn after leaving Bree. In the books, that happened all a bit more adventureous, as they set out of the Shire and came to an ancient burial place, the Barrow-Downs. Inhabited by the spirits of long deceased warriors, Frodo, Samwise, Peregrin and Meriadoc are captured and paralysed, only to be saved by Tom Bombadil. It is from these tombs they obtain their swords, and realise their are far bigger and far dangerous things in the outside world. When I found this nice piece of artwork of the Barrow-Downs, I decided to try and recreate the setting, including the spooky patches of mist that trail Frodo as he approaches the doorway of one of the tombs. In the end, I`m rather happy how this effect turned out, as it seems a light wind is blowing over the hill, but perhaps just a bit to selective to be a natural phenomena...
  3. My entry for the 2014-2015 Middle Earth Lego Olympics My entry is based on the game Middle Earth; Shadow of Mordor In Middle-earth: Shadow of Mordor, you take on the role of Talion, a valiant ranger whose family is slain the night Sauron and his army return to Mordor, moments before his own life is taken. Resurrected by a spirit of vengeance and empowered with Wraith abilities, Talion ventures into Mordor and vows to destroy those who have wronged him. Through the course of Talion's personal vendetta, he uncovers the truth of the spirit that compels him, he learns the origins of the Rings of Power and ultimately confronts his true nemesis. Hope you guys enjoy :)
  4. Umbar was once the chief southern port of Gondor, but after the fall of Numenor and ages of strife, Umbar became an independent rival state under the control of the Haradrim. The Corsairs of Umbar were nominally privateers, though their fleet included more than 50 capital warships, more interested in destroying Gondorian vessels to exert dominance than raiding them for the sake of simple profit. I've been meaning to do a ship for some time now, and I've also been on a bit of a LOTR kick of late, so the Corsairs of Umbar seemed like a good way to kill two birds with one brick. I debated for some time as to what the ship should look like. The Peter Jackson film envisioned a boat with strong eastern influences, like a junk or a dhow but I know many history buff and fans of the books who firmly avow that the ships are clearly dromonds while still others avidly argue in favor of caravels. After much internal debate, it suddenly dawned on me that, while Tolkien's work was clearly informed by history, it was in no way constrained by it and that, rather than trying to cram an accurate model of an historical ship into Middle Earth, I should just build something with lanteen sails (the only feature all the candidate ships and the text itself had in common)that looked both cool and intimidating. Hopefully it's pretty clear that this is a warship, long keel, narrow beam, battering ram just below the waterline; why even pretend to be a cargo ship? I was really going for something that looked like it could slice through a ships hull as easily as it cut through the waves. The raised afterdeck is so the helmsman can line up a clean shot over the heads of raiders waiting to board the enemy vessel. The top of the ram's base is just visible above the waterline on the bow. A bank of oars (11 per side) helps to put on the extra head of steam for ramming speed (and backing away afterwards) The elevated stern affords a commanding view of the surroundings. The rigging (or entire lack thereof) could use some work, but overall I'm happy with how things came out. Happy sailing....
  5. An entry into the Forbidden Fortress category of the Colossal Castle Contest. A collab between John (LittleJohn) and I: John built the landscape, while I built the fortress. The build is based off of the story of Beren and Luthien from the Silmarillion. There's a full interior inside, and the drawbridge is functional. Sauron's werewolf form, and Huan were both inspired by Dunedain and Blake Baer. Luthien and Huan, the Hound of Valinar, rescue Beren from Sauron's fortress of Tol-in-Gaurhoth. Sauron takes the form of a werewolf to battle Huan. "Therefore he (Sauron) took upon himself the form of a werewolf, and made himself the mightiest that had yet walked the world; and he came forth to win the passage of the bridge... But no wizardry nor spell, neither fang nor venom, nor devil's art nor beast-strength, could overthrow Huan of Valinor; and he took his foe by the throat and pinned him down" (Tolkien 175). Gates and drawbridge closed: There's a lot to see, so check out additional pictures here: http://www.brickbuilt.org/?p=1687 C&C welcome
  6. I haven't posted many MOCs here lately because I've been a bit busy with this guy. I spent about two months designing designing things on paper (literally, I play with Lego to get away from computers so I rarely do much with LDD or MLCad) and about eight months building and rebuilding the model itself. The tower stands a bit over four feet tall from base to crown and is made from a ridiculous number of small parts for something that weighs about as much as a teenager. There's a six foot strand of LED christmas lights in the lava moat at the base to try to break up the black a bit, but other than that, everything else is pure factory issues Lego. I still consider this a work in progress as: a) I haven't come up with a good solution for the Eye of Sauron despite having built several dozen at this point (bricks, cones, flames, helmet plumes, radar dishes - still haven't the right look yet) b) There's still work to be done on the base (outer guard towers, flume delivering molten rock to the lava moat etc.) c) I really need to learn how to photograph big black, highly detailed ABS surfaces. This thing is way too big for my light box and I've yet to take a photo of it that does it justice. The base is about 2 feet by 3 feet and the lower ramparts are a system of concentric rings tied together by radial walls. It's nominally hollow, but there's a lot of internal buttressing, arches, and technic structure buried inside to support the weight of the upper tiers. If you're curious, I have a few more photos (of equally poor quality) over on MOC pages I welcome all comments, questions and suggestions as to how best to finish and photograph this beast (particularly if you have any great insights in to the design of a 10 stud diameter Eye of Sauron that doesn't look cheesy). Thanks for stopping by.
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