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  1. When the MCTC claimed the island of Ferro Azure for Eslandola, the plentiful fields of indigo plants were a prime reason. With a royal cotton plantation (and several privately owned cotton plantations) and a royal textile factory, the production of textiles is the MCTC’s (and perhaps Eslandola’s) biggest enterprise. But the dyes used in the textile factory have to come from somewhere, and for indigo, that somewhere is Ferro Azure -- specifically the new indigo dye factory on the outskirts of Salida Este. First the indigo plants are harvested and brought to the factory. Here a worker is coming to unload a wagon just in from the fields. The workers then fill one of the processing pits with indigo leaves and water. Water for this process is drawn from the river and stored in a cistern next to the processing pits. When the processing pit is full, a wooden frame is laid on top of the leaves and weighted down with stones. Over time, the leaves ferment into a stinky blue muck. When fermenting is complete, the muck is drained into another pit. Here workers stir and agitate the muck to a regular consistency, and then load it bucket by bucket into barrels. The barrels are then rolled over to the processing house. Inside, the indigo is poured into molds and baked into small bricks. These bricks can then be easily transported in crates, and once at their destination can be boiled into a liquid form. With the opening of this new indigo dye factory, the MCTC adds another component to its textile business. * * * * * I had to rush to get this in by the end of July to license it as a large factory. I would have liked to detail an interior for the building, but I didn’t think it was interesting enough to warrant the extra work, which kind of took on a life of its own in recent weeks. And I couldn’t find my notes on the full manufacturing process, so I had to write it up from memory; I’m sure there are some details I’ve left out. But, I still found it interesting researching this build, and I hope you like it. All C&C welcome
  2. "The weft and weave of fate guides the life and action of all sides, and through the tides of time they paint the hands of sinners and of saints." - The Kindred (Probably, I found this poem on twitter) This is my 3rd freebuild, so if you are not Eslandian, feel free to approve if you like what you see. Victor wobbled his way in a hurry, after getting words that the first test shipment had arrived. He had worked hard and long to put everything together, and finally it was time to see the result of his effort. The building was half constructed when the WGO got their gloved hands on it. How it went about he had no clue, but it was a good thing they got it because it was the only building in Bardo that fitted his needs. The window of opportunity was wide open. Long and with lots of windows, it was perfect for taking advantage of Bardos long exposure to the sun. A couple of traders where delivering a crate of the shipment as he arrived the pearly gates. He heard a lot of hustling and bustling from inside. "This is the finest fabric I've ever touched. Servadac will surely be pleased with this test run. The exquisite quality of the Fontanajo cotton makes all the difference in the world", a worker was saying as Victor entered the factory entrance. "Ah, yes it fits, it runs, it Works!!", Victor exclaimed when he saw the machine in action. The attic had room for storing raw cotton, and the finished product was going straight to the docks. The WGO had aquired the prototype of a device named "Spinning Penny" from a Corrington engineer. The setup enables the work of at least 10 spinners to be carried out by a few. There is a slight risk of injuries, but the machine does not require much skills, and workers are easily replacable. As long as there is doubloons to be made, they will come in masses begging to be a part making Fontanajo quality fabric. My photographic ligh conditions opportunity was very brief. Especially the outside shots was a bit dark. I adjusted the brightness of the interior shot to see anything, so the colors are a bit off. Smog have covered my area for weeks, but today I got 15-20 minutes. I had to photograph a residence, my vessel and the factory, so it was hectic. I am very satisfied with this build, but I have not used much advanced techniques, except for the Spinning Jenny (or Penny as I called her). Comments and constructive critique is most welcome :) Edit: And of course I have to give a big thank you to the Cotton King, Román Esteban Fontonajo (Elostirion), for letting the WGO process and make his familys cotton available to the general public.